Redirecting to Ghost..

Vundabar Release Stand-Out New Album 'Surgery and Pleasure'

Vundabar Release Stand-Out New Album 'Surgery and Pleasure'
Photo by Shervin Lainez

Boston trio Vundabar has never been known for just one genre. Their sound has switched from alternative-rock to post-punk to indie-soft-rock, with other deviations. Their latest album, Surgery and Pleasure, takes on a new dance and electronic sound, accented with the intricate guitar sound that the band has become known for.

Composed of vocalist/guitarist Brandon Hagen, bassist Zach Abramo, and drummer Drew McDonald, Vundabar has become a prominent name in the alternative-rock scene in past years. The band went viral in 2021 when their song "Alien Blues" became popular on TikTok. This led to the song amassing over 600 million streams on Spotify and boosted the band into the limelight, allowing them to formally tour for their albums Gawk and Ether Light.

Surgery and Pleasure is a 40-minute-long album featuring 11 tracks, the longest track, "I Need You," being over six minutes long. The group released four singles in the months leading up to the album: "I Got Cracked," "Life is a Movie," "Spades," and "I Need You." "I Got Cracked" and "Life is a Movie" still stand out as the most catchy and alternative-rock-sounding of the album, with energetic repetitive choruses that Hagen screams into the microphone. The gritty vocal sound on the tracks almost reminds me of The Strokes' earlier albums, with the same rawness and realness behind each word.

Newer tracks carry a similar energy to the first three single releases, but I think that "Beta Fish" and "Let Me Bleed" stand out the most. The way that Hagen's voice comes down hard on the beats emphasizes the driving rhythms of the drums, which creates an intriguing and exciting listening experience overall. The low hum of the bass in "Beta Fish" creates a steady atmosphere, while the lyrics tell a metaphorical story of overcoming mental health after experiencing loss.

The album slows down with tracks like "I Need You" and "Feels Like Forever," which carry low-driving melodies but still finish off with Hagen's striking guitar solos and unique vocals. Everything nearly halts with the closing song, "Why Is It So Hard To Say Goodbye?" which is a stripped-down track with lyrics sung like spoken word. This final track ditches the classic guitar-driven melodies and isolates Hagen's words to the sound of one steady rhythm, which comes to end the album on a melancholy farewell.

Vundabar is currently co-headlining North America with alternative-indie artist Yot Club, which will then be followed by a solo-headliner in Europe. I have to add that from personal experience, their performance is 100% worth it, so make sure to snag some tickets before they sell out!

Tickets for the tour can be found on Vundabar's website, and other updates can be found on their Instagram, @vundabores.

Read more

New Colossus '26 Saturday Recap ft. FEET, Lip Filler, and YUVEES

New Colossus '26 Saturday Recap ft. FEET, Lip Filler, and YUVEES

BLOOD CLUB (@bl00dclub) Bilingual coldwave alt-rock from Chicago. LIP FILLER (@lipfillertv) Thrashy indie-rock shoegaze from England. DROOK (@droooooook) Richmond-based indie-electro-pop. FEET (@feetband) London-based indie-rock, with pizazz. WINTER MCQUINN (@_wintagram_) - mads Folky singer-songwriter pysch-rock from Melbourne. YUVEES (@yuveesnyc) Brooklyn-based no-wave noise-rock chaos. PLIGHT (@plightnyc) Grunge-gaze from NYC. WINTER GARDENS (@wintergardensband)

By Sabrina Yanez, Madelyn Barkocy
New Colossus '26 Friday Recap ft. Alien Chicks, TUKAN, and Ditch Days

New Colossus '26 Friday Recap ft. Alien Chicks, TUKAN, and Ditch Days

JUNK DRAWER (@junkdrawerband) Indie psych-rock from Belfast. SUNDAYCLUB (@sundayclub.band) Alternative dream-pop from Winnipeg. DITCH DAYS (@ditchdays) Funky Lisbon-based electro-indie-pop. THE K'S (@theksofficial) Electric indie-rock hailing from Earlestown. SHALLOW (@itsonlyshallow) Shoegaze noise-pop from Montreal. AUNT KATRINA (@auntkatrinaband) Experimental indie-pop from D.C. BABE CITY (@babe_city_) NYC-based patchwork dreampop. ALIEN

By Madelyn Barkocy, Sabrina Yanez
New Colossus '26 Thursday Recap ft. Lucid Express, Tentative Decisions, and Activemirror

New Colossus '26 Thursday Recap ft. Lucid Express, Tentative Decisions, and Activemirror

KACIE HILL & LUC SWIFT (@kaciejewelhill & @luc_swift) Folksy singer-songwriter duo from San Francisco. ACTIVEMIRROR (@active_mirror) Alternative post-punk from Aruba. PUNCHLOVE (@punchlve) Brooklyn-based experimental art-rock. THE SEWING CLUB (@sewingclubband) Bedroom indie-rock from Nashville. HIGH. (@high.asfuckband) Jersey-based modern shoegaze. MARCEL (@vive.marcel) "Noisy pot-pourri" post-punk from Belgium. DALLAS LOVE FIELD

By Madelyn Barkocy, Sabrina Yanez
New Colossus '26 Wednesday Recap ft. Midscale, Wiring, and The Jumpcuts

New Colossus '26 Wednesday Recap ft. Midscale, Wiring, and The Jumpcuts

BEE BLACKWELL (@beeblackwell_) Grungy female-fronted alt-rock from Texas. WIRING (@wiring___) Brooklyn-based melodic math-gaze. HAUSE PLANTS (@hauseplants) Euphoric dance-rock from Lisbon. FAKE POLLOCKS (@fakepollocks) A math-rocky post-punk amalgamation from NYC. MIDSCALE (@midscaleband) "Kind of shoegaze" from France. THE JUMPCUTS (@thejumpcutsrock) West Palm Beach upbeat garage-rock. SUNSET IMAGES (@sunset__images) Melancholic kraut-gaze-noise-rock

By Sabrina Yanez, Madelyn Barkocy